A few years ago, Daniel Amos bandleader Terry Taylor commented on his band’s work from the early and mid-1980s, saying, “When I look back to the old songs and the old catalog, some of the stuff is too mired, musically and sonically speaking, in the trendiness of the time; that new wave thing. The only record in my opinion that works well that’s new wave-ish is Vox Humana, and the reason it does is because it’s a joke on itself; it’s a sci-fi joke. It’s a serious record on many levels, but it takes that form and brings it back around on itself so you can listen to it and realize it’s conceptual, and it uses a synthesizer thing to do a ‘50s sci-fi B-movie.”
The aforementioned 1984’s Vox Humana has now received a deluxe reissue treatment. The two disc set features both the original album remastered and a plethora of previously unreleased studio tracks plus alternate mixes, recordings, and one live track.Focusing on the original album, the increase in punch and clarity on the remastered disc is tremendous. Earlier issues of Vox Humana were thin-sounding and in some cases plagued with incorrect timing blocks making songs, when selected individually, start well into the track instead of the actual beginning. Despite this, bootleg copies of the disc frequently appeared on assorted online stores, desperate fans snapping them up as the original CD was well nigh impossible to find at any price.
With quality assurance now an integral element of the Vox Humana listening experience, the next question is how well does the record hold up after thirty-two years. Odd as it may seem, the answer is simultaneously quite well and not very well at all. On the down side, the synth drums prominent throughout are painfully dated, and songs such as “Dance Stop,” designed for live audience interaction, make for uninteresting listening after the fact. Yet even with these drawbacks, Taylor’s gift for melody and biting lyrics shines through, making Vox Humana far more than a nostalgia trip.
Like much of Taylor’s 1980s work, Vox Humana is overall not inaccurately comparable to Paul’s second letter to the Corinthians, in which he moves back and forth between sharp sarcasm and earnest pleadings to the Corinth church to get on the right track. Certainly songs such as “Home Permanent” bristle with barbs at superficial, simpleton naïveté Christianity. But then, Taylor offers songs such as “Sanctuary” with its direct appeal for Jesus as the only hiding place worth seeking, and “As The World Turns” exploring the reality of life in Christ while living in a fallen world.
Vox Humana is not Daniel Amos’ best work. That honor goes to Dig Here, Said The Angel. But for those nostalgic for ‘80s rock/pop and/or seeking for previously hidden songwriting gems, Vox Humana is well worth repeated listens.
The album is available at Daniel Amos’s website.