Daniel Amos has made Doppelgänger, its 1983 album and second part of The ¡Alarma! Chronicles quartet of albums, available on its Bandcamp site. Any reason to talk about Daniel Amos is worth seizing, but this news makes it all the easier to discuss this brilliant outing that still speaks with power thirty-three years after its release.
Doppelgänger rocks a bit harder than its predecessor ¡Alarma!, the album on which Daniel Amos made the full transition from country rock to what was then called new wave. While Doppelgänger retains much of ¡Alarma!’s nervous, quirky energy, it also is far more at peace with itself. Terry Taylor and company took full advantage of having previously clearly establishing their musical direction, not hesitating to include relatively straightforward rockers such as “Memory Lane” and “Little Crosses” alongside somewhat heavier variations on existing new wave stylings in the presence of “Mall (All Over The World)” and the album’s best track “The Double.” Combining this with faint but unmistakable strains of the band’s original Beach Boys meets Bakersfield country vibe, Doppelgänger manages the rare feat of being both eminently danceable and melodically memorable.
Lyrically, Doppelgänger moves gracefully, if not delicately, between introspection and sarcasm aimed at the rampant materialism and false piety that permeated the world of then-popular television evangelists. This makes some of the references dated, but the bite is clear even to those who have no memory of The PTL Club and variations thereof. Terry Taylor has long been Christian rock’s thinking man, and his resulting skill in dissecting hypocrisy while not sparing himself the same critical examination through, as he would later write, the tired eyes of faith makes Doppelgänger as much a challenging feast for the mind as it is a dancing call to the feet.
Doppelgänger was a revelation when it was released; the album a Christian could take to his or her non-believing rocker friends that proved Christians could make great cutting edge rock‘n’roll. It was and is a child of its time, yet after a quarter of a century Doppelgänger is still twice as good as most everything else out there.